“Bring the sky beneath your feet and listen to celestial music everywhere,” Rumi once said. In his discourse on genetics and the holistic lifestyle at the Berklee Performance Center on December 6th, Deepak Chopra quoted Rumi many a time when brilliantly relaying the intertwined nature of music and meditation with the very DNA make-up of our bodies. As a genetic neuroscience student outside of Berklee and a part of the beautiful Berklee Indian Ensemble led by Annette Philip, I felt Dr. Chopra painted a precise picture of who we really are as individuals: luminous stardust beings constantly emanating energy. Now imagine if we all embodied this very fact of our truest nature; how would we treat one another differently? How would we treat ourselves differently? But more importantly, what type of things would we surround ourselves with? These are questions that the Indian Ensemble family ponders, as well, and I think it’s this introspective approach that allows us to infuse music with love.
Tag: Berklee College of Music (Page 3 of 72)
Berklee College of Music
What made you become a musician?
I was always into playing keys, but I never considered music as more than just a hobby. After graduating as a Computer Engineer & working for 2 years, I realized that it was not the life for me. I started learning basic Electronic Music Production and started playing around with MIDI controllers and sampling techniques. Every time I created something good, I would get a crazy euphoric feeling which forced me to take this up full time.
Part 1: Grammar
by John Anthony Martinez ’87
Recently, I had the honor of conducting a masterclass, along with keyboard synth pioneer and Johns Hopkins University Professor Thomas Dolby, on the rhythm section at Oxford University. My lecture examined questions such as: What is time? What is rhythm? How do we define a rhythm section and what are the roles or functions that the individual members play in it? What does it mean to groove?
by Zachary Lucia ’14
Kim Logan ’10, a singer-songwriter in Nashville recently recorded an original song, Peaches and Cream, in a 1947 coin-operated phonobooth at Third Man Records.
You may remember Kim from her awesome blog post about fashion trends and the musicians that once heralded them. With this project Kim again shows a deep appreciation for music’s history and her efforts to show its relevance to our modern day trends. As if the phonobooth video isn’t cool enough,
by Eruch Kimball ’03
We all begin life the same way. We all develop in a similar environment. We all listen to the same things. Our world is sound. Seventy decibels of sound. Constant. All inclusive. It is our only reference to the world we’re just beginning to learn about. Equivalent to driving down the highway with the windows rolled down, the first world we experience as humans is filled with sound.
The Mother’s heartbeat. Comforting, yet unending. A steady pulsing wave of ocean-like noise as air rushes in and out of her lungs. The gurgle of her internal organs, comforting, like the purring of an engine. All of these sounds are echoed and reverberated through the fluid that cradles us as we slowly awake to the world.