AKA MY FATHER’S 75% CHANCE OF SUCCESS THEORY
by Shie Rozow ’97
Growing up I was very timid, especially when it came to girls. In junior high there was a girl I liked. A lot. There was a school dance coming up and I desperately wanted to ask her to go as my date, but just couldn’t muster the courage. I was too shy (no pun intended). Trying to help me, my father told me a story – a crude joke:
A man walks into a bar, sits next to a pretty woman and asks her if she wants to go to his place for some late night romance. She throws her drink in his face, slaps him across the cheek and storms off. The bartender says to the man “you must get a lot of drinks thrown in your face?” The man responds, “yes I do, but I also take a lot of women to my place.”
He explained his point was that if you don’t ask, you’ll never get what you want. Thankfully that wasn’t the extend of his advice and my father then followed up with his 75% chance of success theory. It goes something like this: continue reading on Shie’s blog.
Nikole Luebbe graduated in 2014 and is now working as the Music Coordinator at Heavy Hitters Music.
September 2013 I was beginning my last semester at Berklee, September 2014 marked the end
of my third month working as the music coordinator for Heavy Hitters Music. Time has been moving very quickly lately and in the span of 12 months I have gone from college student, to intern, to college graduate, to full time employee. In an industry that can be very unpredictable and unstable I have been very lucky in that I have never been to unsure of what my next step will be.
In September of 2013 I made my first trip into the Office of Experiential Learning to meet with my advisor Brian Curr. I told Brian I was interested in music supervision and that my dream internship would be to work for Chop Shop Music Supervision. Brian was an invaluable resource to me, he made sure I was prepared and kept me level headed by letting me know I needed to pursue backup options, as it was not likely I would get an interview with Chop Shop.
Eric Normand ’89 runs the Nashville Berklee Jam. For the full post please visit nashvilleberkleejam.com.
At the August Nashville Berklee Jam we were fortunate to have an expert in the field of music for television and film – songwriter and CEO of Song Placement International, Kate Taylor. A native of Michigan, Kate has been in Nashville since 1999 and has had her songs placed in shows like “The Young and Restless”, “Teen Nick”, CMT, and countless others. Through her song placement company she has placed songs for hundreds of artists and is currently working with shows like “Grey’s Anatomy”, “Nashville”, and “Duck Dynasty”, to name a few. Here are a few highlights from her in-depth talk about the ins and outs of getting music placed in TV, film, video games and commercials. (A video of Kate’s entire talk can be viewed here.)
Plan B? No Thanks!
Alessandro Lombardo is a freelance musician, graduated from Berklee College of Music in 2011, and since then has been traveling all around the world in 5 continents. Alessandro is also the co-founder of the drumming community The Drum House which counts 20 000 followers and proudly endorses Zildjian, Vic Firth, Tama and Remo. You can reach him on Facebook, Twitter or on his Website.
When I was a kid I had a dream: I wanted to be a professional musician. I always loved the sound of music and whenever I could get my hands on a piano I would start bashing around
(only until I discovered the drums, but that’s another story). I remember my life-changing moment, that moment when you realize what it is that you are deeply attracted to. I was playing a song and my heart started sinking, letting my emotions flow as if I were a magic channel. From that moment on, I knew that there was nothing else I wanted to do, and I started my life-long quest.
by Kim Logan ’10
Close your eyes, and you’re in 1965…
Young haute designers Ossie Clark and Andre Courrèges are going head to head with heavyweight Yves St. Laurent to debut the collection that will most epitomize the swinging sixties. You’re sitting front-row at all three runway shows, and you see the birth of the mini-skirt. You see Mondrian and triangle-shift dresses, go-go boots and huge earrings. You see sleek black turtlenecks and bottle-blond bangs, silver lamé and flamboyant furs. It’s so thrilling to have time-warped to experience this psychedelic explosion of fashion culture, but perhaps even more exciting is the fact that all three of these designers have drawn their inspiration for their collections from the deep well of 1960’s musicians and artists. Those black turtlenecks came from the slim bodies of Edie Sedgwick and Nico, and those mini-skirts were alive and well on Marianne Faithfull and the French pop darlings of yé-yé music long before they were sold in stores.