February 8, 2010 – 2:49 pm
This week, Berklee holds a flurry of events in New Delhi and Mumbai (Bombay), India, including clinics and its first-ever auditions and interviews for prospective students. (Learn more about the trip.) The team includes David McKay, Berklee’s VP for institutional advancement; frequent fliers Jason Camelio and Gojko Damjanic of International Programs; contemporary writing and production faculty Michael Farquharson; and Dan Carlin, chair of film scoring, who takes us from his home in Massachusetts to touching down in the subcontinent.
This journey started with Jason Camelio picking me up at my Southborough home at 1:00 pm Friday, then we drove onto Newton, where Michael Farquharson hopped in, after which we swung by Beth Israel to pick up shot records. We finally arrived at Logan Airport in time to meet Gojko Damjanic and David McKay before catching our 4:00 flight to Newark. Anxious to experience as much of the notorious New Jersey culinary delights as possible, we dined in the airport and then allowed ourselves to be corralled onto the 8:45 flight to Delhi (moooooo). Read More »
February 8, 2010 – 9:55 am

Con sólo 25 años las canciones de este artista español (Zaragoza) han vendido cientos de miles de copias en todo el mundo de la mano de diversos artistas: Tamara, Cortés, Naím Thomas o La Barra (en Argentina) y próximamente Sergio Dalma.
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February 7, 2010 – 4:10 pm
学校から歩いて10分のところにある、ボストン公共図書館に行ってきました。
この図書館は、1895年に創立された建物で、中に入るとまるでお城のような
きらびやかな内装!
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February 6, 2010 – 11:03 am

버클리 음악치료 실습 1 사이트중 윌리엄 카터스쿨
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February 2, 2010 – 6:32 pm
Yeah baby, let’s ride this Logic Train a bit further. Today’s topic is a real quick look at splitting and demixing:
Lets say you’re putting together a sequence in Logic, and you’ve got a great keyboard lead melody played through one of your soft-synths. You’re happy with the take but decide some notes sound better as a buzzwave, some sound better out of the B3 Organ plugin, and some sound better out of a custom patch you built in Absynth. There’s a quick way to split these midi-notes up without copy/pasting 100 times and deleting notes you don’t want.
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